Waves, Light & Quanta Tim Freegarde Web Gallery of Art; National Gallery, London
2 Ray propagation follow ray through optical elements F F characterize ray by and y y z divide system into elements assume linear mapping of input to output, e.g. 12
3 Ray propagation 1 2 free space t 1 2 refraction 1 2 thin lens
4 Ray propagation matrices then if and for many elements,
5 Ray propagation matrices - II then if and for many elements,
6 Ray propagation matrices 1 2 free space t 1 2 refraction 1 2 thin lens
Waves, Light & Quanta Tim Freegarde Web Gallery of Art; National Gallery, London
8 Rays of light Jan Van Eyck (c ) National Gallery of Art (c1434) Fra Angelico (c ) Museo del Prado (c1430) Carlo Crivelli (c ) Städel, Frankfurt (c1482)
9 Colour Wilton Diptych (c1395-9) National Gallery ultramarine:lapis lazuli sulphur (S 3 - ) Azzurro oltramarino si è un colore nobile, bello, perfettissimo oltre a tutti i colori; del quale non se ne potrebbe né dire né fare quello che non ne sia più. E per la sua eccellenza ne voglio parlare largo, e dimostrarti appieno come si fa. E attendici bene, però che ne porterai grande onore e utile. Ultramarine blue is a colour that is noble, beautiful, the most utterly perfect of all colours; of which one can neither say nor do anything that it would not surpass. And because of its excellence, I wish to speak of it at length, and show you in detail how to make it. And pay attention, because it will bring you great honour and usefulness. Il libro dellarte (The Craftsmans Handbook) Cennino D' Andrea Cennini (~1400) electronic absorption 600 nm (red)
10 Colour Methuselah (C12) Canterbury Cathedral Magi and Herod (C12-13) Canterbury Cathedral
11 The prism
12 Colour
Waves, Light & Quanta Tim Freegarde Web Gallery of Art; National Gallery, London
14 The prism
15 Rainbows
16 Rainbows i i i r r r r x r r
17 Rainbows i i i r r r r x r r
18 Rainbows i i i r r r r x r r
19 Rainbows
20 Rainbows
21 Rainbows